He began his studies with Francisco Tárrega in 1902, when he was sixteen years of age. Paris: Cité de la Musique, 1999, 51-61.Emili Pujol Vilarrubí (10 September 1886 – 21 November 1980) was a composer, guitarist and a leading teacher of the classical guitar.Įmili Pujol was born in the little village of Granadella just outside Lleida, Spain. Study and partial edition: John Griffiths, “Extemities: the Vihuela in Development and Decline,” Luths et luthistes en Occident: Actes du colloque 13. Österreichesche Nationalsbibliothek: S.A. Pieces added by hand to a copy of Valderrábano’s Silva de sirenas. The editors are currently preparing an edition of the complete manuscript, comprising over 400 pieces.)ĥ. (An edition of 32 pieces from this collection. Neapolitan Lute Music: Fabrizio Dentice, Giulio Severino, Giovanni Antonio Severino, Francesco Cardone, ed. 40032, from around 1685 with additions up to 1626. Facsimile, tablature transcription, and commentary.Ĥ. 2 vols.: tablature transcription with commentary transcription for guitar. Ramillete de flores: Colección inédita de piezas para vihuela (1593), ed. Ramillete de flores, o colección de varias cosas curiosas. See Antonio Corona-Alcalde, “A vihuela manuscript in the Archivio de Simancas,” The Lute 26 (1986), part 1: 3-17.ģ. “Simancas fragments” discovered in the Simancas Archives. Facsimile and transcription in modern notation.Ģ. See Antonio Corona-Alcalde, “The earliest vihuela tablature: a recent discovery,” Early Music 20/4 (1992): 595-600. “Siculus fragments” discovered on the flyleaf of a copy of Lucius Marineus Siculus’s Epistolarum familiarum (Valladolid, 1514).Īn unfinished composition in tablature believed to be the earliest written music for the vihuela. Monumentos de la música española, vol.27-29 (1966), ed. Antonio de Cabezón, Obras de música para tecla, arpa y vihuela. (Music is mainly for the keyboard, but theoretical portions apply equally to the vihuela as a contrapuntal and harmonic instrument. Tomas de Santa María, Libro llamado Arte de tañer fantasia, assi para tecla como para vihuela. Luys Venegas de Henestrosa, Libro de cifra nueva para tecla, harpa, y vihuela. Naples, 1536.įrancesco da Milano, Intavolatura de viola o vero lauto: Libro primo de la Fortuna, facsimile edition with preface by Arthur Ness and index by Claude Chauvel. Francesco da Milano, Intavolatura de viola o vero lauto. PUBLICATIONS FOR VIHUELA OR OTHER INSTRUMENTSġ. Madrid: Alpuerto, 1983.Įsteban Daça, The Fantasias for Vihuela, ed. Colección Opera Omnia, transcrption by Rodrigo de Zayas. Enrique Daza, Libro de música en cifras para vihuela intitulado: El Parnasso. (Fuenllana’s collection includes music for the four-course guitar and the earliest publication of music for the five-course guitar - nine pieces.)ħ. Orphénica lyra : (Seville 1554) / Miguel de Fuenllana, ed. Miguel de Fuenllana, Libro de musica para vihuela, intitulado Orphenica lyria. Salamanca, 1552.Įl libro de música de vihuela de Diego Pisador, 3 vols.: facsimile, study, and transcription. Diego Pisador, Libro de música de vihuela. Enriquez de Valderrábano, Libro de música de vihuela, intitulado Silva de sirenas.
(Mudarra’s publication also contains six pieces for four-course guitar, the earliest music published for the instrument.)Ĥ. Modern tablature transcriptions by Donald Sauter: Alonso Mudarra, Tres libros de música en cifra para vihuela, intitulado Orphencia lyra. Los vihuelistas : Luys de Narváez, transcription by Rodrigo de Zayas. Barcelona: Consejo Superior de Investigaciones Científicas, Instituto Español de Musicología, 1945 reprinted 1971. (2) El Delphin de música, transcripción y estudio por Emilio Pujol. (1) Monumentos de la música española, vol. Luis Narváez, Los seis libros del Delphín de música de cifra para tañer vihuela. In part for vihuela in part for voice and vihuela.ģ.
University Park Pennsylvania State University Press. Edited, translated, and transcribed by Charles Jacobs. Luis de Milan, Libro de música de vihuela de mano: Intitulado El Maestro. Four known manuscripts are devoted to the vihuela.ġ.
In addition, four printed books included music for the vihuela or other instruments. In all, seven collections devoted exclusively or principally to the instrument were printed. Original printed music for the Spanish vihuela de mano came into being during a short but productive period, 1536-1576.